Digital Illustration
Character design, concept art, and graphic compositions exploring color and form.
I work across oils, acrylics, pencil, ink, markers, charcoal, etching, wood burning, linoleum block carving, and hand-cut stencils. My foundation is realism—especially portraits and animals in oils—paired with a graphic sensibility that lets me shift into bold, simplified work when the piece demands it.
I work across a wide range of mediums—oils, acrylics, watercolor, pastels, graphite, ink, charcoal, and digital illustration. If there's a way to make a mark, I've probably tried it. I'm detail-oriented by nature, sometimes to a fault, and that shows up in everything I create.
My work spans character portraits, creature design, animals, and abstract compositions. What ties it together is my approach: combining realistic rendering—especially in faces and eyes—with looser, more expressive elements. I like the contrast between precision and spontaneity, between what's carefully observed and what's felt.
I work from references—photos, images, studies of artists whose work I respect. But the process of translating those references into a finished piece is where my choices come in: what to simplify, what colors to shift, where to add detail and where to pull back. That translation is what makes it mine.
I also do graphic design work—logos, apparel concepts, branding. The same principles apply: clarity, impact, and attention to craft. Whether I'm painting a canvas or designing a logo, I'm thinking about composition and how the piece communicates.
I'm not interested in making art that looks effortless. I want you to see the work, the decisions, the care that went into it. If it makes you stop and look closer, I've done my job.
Based in Kissimmee, Florida
Work available through CityArts Gallery Orlando and direct commission
Explore my work organized by medium and approach. Each section showcases technique, style, and range—not availability.
Character design, concept art, and graphic compositions exploring color and form.
Detailed studies in graphite, charcoal, ink, and markers—building observational skills.
Oils for realism and patient blending; acrylics for bold, expressive work.
Digital work gives me the freedom to iterate quickly—exploring composition, color blocking, and concept development without the commitment of physical materials.
Digital character illustration with bold composition and graphic sensibility.
Exploring form, personality, and visual storytelling through digital painting.
Atmospheric digital painting with lighting and environmental detail.
Drawing is where my realism foundation lives. I work with professional H and B pencils for detailed shading and tonal control, ink for clean linework, markers for bold graphic statements, and charcoal for expressive value studies.
Graphite study with detailed fur texture and careful tonal rendering.
Value control and atmospheric perspective in graphite.
Comic-style ink work exploring clean line quality and graphic contrast.
Oils are my preference for portraits and animals—the extended working time lets me blend color the way realism demands.
Acrylics move faster but make lifelike blending harder for me. I choose them for pieces that benefit from boldness and speed.
Oil on canvas, 8×10 — Classic horror icons rendered with dimensional detail and patient color work.
Texture, form, and dimensional rendering in oils.
Classic portrait with careful attention to expression and skin tones.
Period costume detail with fur texture and dimensional form.
Dramatic expression with subtle value transitions.
Acrylic on canvas — Where realism meets graphic: detailed focal points anchored in bold, simplified compositions.
Geometric color blocking with realistic facial rendering—graphic meets precision.
Expressive abstract background with hyper-detailed reptilian eye.
Detailed feather work contrasted with graphic border elements.
Acrylic on canvas — First gallery submission (CityArts Orlando). Sold 2 of 3 pieces.
Art Nouveau-inspired composition with traditional Day of the Dead iconography.
Dimensional skull work with environmental storytelling and fine detail.
Loose, painterly approach with bold color and energetic brushwork.
Beyond canvas and paper, I explore tactile craft techniques: Dremel etching on aluminum, wood burning with pyrography tools, linoleum block carving, and hand-cut stencils with X-Acto precision. These processes force me to simplify—letting shape and contrast lead over micro-detail.
See work-in-progress shots, technique experiments, and behind-the-scenes of my creative workflow.
@visual.artist.chez →
Reduced detail, powerful shapes—carving forces graphic clarity.
X-Acto precision creating bold forms and graphic edge.
Exploring mark-making on aluminum with Dremel tools.
Controlled burn creating line and tone on wood surfaces.
Currently available: Original canvases and print options. All pieces shown here are available for purchase or commission. Contact for pricing, framing options, and shipping details.
This section showcases studies, experiments, and works created to demonstrate technique, range, and artistic decision-making. These pieces are not for sale but represent the foundation of my craft.
Exploring gradients, texture, and precision in graphite.
Letting form lead over micro-detail through stencil work.
Expressive value control and atmospheric depth.